The ongoing, contentious debate over public monuments is not a referendum on history, but a profound struggle over power, memory, and the definition of public space. For generations, city squares, parks, and government buildings have been dominated by statues celebrating figures of colonialism, slavery, and state violence—from Confederate generals and slave traders to architects of Indigenous genocide. These monuments have never been neutral historical markers. They are active political statements, erected to assert a specific, dominant narrative of power and to legitimize a social hierarchy built on white supremacy.
